Another year past without an update....

Once again, I have fallen very behind in my website duties. It seems my updates have been pretty much annual. I apologize.


So, picking up from my last news update….


Coraline- ROH at Barbican

Coraline- Mary Bevan, Other Father- Alexander Robin Baker, Other Mother- Kitty Whately

Coraline- Mary Bevan, Other Father- Alexander Robin Baker, Other Mother- Kitty Whately

Coraline was a great success. We had a fantastic time, and totally fell in love with the enchanting and sinister story based on the book by Neil Gaiman, and the fabulous, witty and breath taking score by Mark Anthony Turnage. My daughter Ivy loved it, and most of all enjoyed the backstage tour afterwards, where I naughtily revealed some of the top secret special effects techniques that they’d seen in the show.



Cosi Fan Tutte

It was an utter joy to return to Opera Holland Park for Cosi Fan Tutte last summer. It is such a special place to work, such a wonderful company, and best of all, being reunited with soprano Eleanor Dennis, who had been my Fiordilligi at the Royal College of Music when we were students. We did an awful lot of giggling, but it was so easy to slot into character with Ellie and create the sisterly rapport we needed. It was a fantastic and fun cast in general, so a profoundly happy job all round.


Candide- Bergen National Opera


Having the chance to work on stage with both my husband and my father was an experience I will never forget. We had such an enormously fun time, and looking over at those two men, the most important in my life, every night in the curtain call, never failed to bring tears to my eyes. Having my mum there to look after our girls too, made the whole thing very special for all of our family.


Concerts and recitals

It has been a fiendishly busy year for recitals. Since launching SWAP’ra, I have pledged to make sure that any recital programme for which I have free choice of repertoire, will always strive to contain an equal balance of male and female composers. This has inevitably meant learning a huge amount of new repertoire.  I’ve so enjoyed discovering the music of Cécile Chaminade, Pauline Viardot, Lili Boulanger, and of course Fanny Mendelssohn and Clara Schumann; but it has also been a great joy to discover some contemporary female composers, whose work I was not previously familiar with, including Judith Cloud, Helen Grime, Juliana Hall, Cheryl Frances Hoad, Lori Laitman and Judith Weir. This will be a life-long project for me, so I am excited about what else I will discover on my journey to play my part in the gender balance revolution. I was hugely honoured to have a cycle written especially for me two years ago by the fantastic British composer, Sally Beamish. I now eagerly await a piece which American composer, Juliana Hall, is writing for me to premiere at the Oxford Lieder Festival later this year.


Simon Lepper and I presented our programme ‘From the Pens of Women’ at Wigmore Hall in a live BBC Radio 3 concert. This was a carefully gender balanced programme of English Song settings of some of the 20th century’s best-loved female poets and writers, including Ursula Vaughan Williams, Virginia Woolf, Edna St. Vincent Millay and Margaret Atwood.

This is a programme which we are looking forward to repeating at the Salisbury Festival in June, with the addition of some spoken text, performed by my parents, actors Madelaine Newton and Kevin Whately. We have performed several recital programmes together in this format, and it is always a real pleasure. We always find that the audiences respond so well to having the poetry mixed in with the songs, and they are texts which we have chosen very carefully to compliment the songs in each section.


I’m really looking forward to returning to Wigmore Hall for a fund raising gala for Leeds Lieder Festival. It’s a star studded line up pf singers appearing, for a Shakespeare themed evening. Joseph Middleton and I will perform the fabulous and dramatic Scena of Lady Macbeth by Joseph Horovitz, a favourite party piece of ours. I’ll then join the other singers for one of my all-time favourite pieces of music, the Vaughan Williams Serenade to Music. Heavenly!

I’ll then return to my alma mater, Chetham’s School of Music, for a very special gala concert at Bridgewater Hall, featuring an all-alumni line up of fantastic singers and the Chetham’s Symphony Orchestra, in a performance of Mahler’s 8th Symphony. The school was the real beginning of my serious musical training and I owe so much to it, so I am thrilled to join them in this celebration of their 50 year anniversary.

Wuthering Heights- Nancy Opera


I am currently enjoying my sixth week in beautiful Nancy, France, where we have been rehearsing a breath taking production of Wuthering Heights by the film composer Bernard Hermann. It has been a wonderful experience working with the fabulous director Orpha Phelan, and our brilliant conductor Jacques Lacombe. It is an extremely talented cast of young singers, and some of the orchestral writing is just thrilling. If you don’t know it, I’d highly recommend having a listen.


It was a slightly nerve wracking role for me, because my character Isabel has to play the piano live on stage, and then accompany myself singing. I haven’t really played the piano since I was a teenager, and even then I didn’t get too far in the grade system. But I was determined to do this, and worked very hard for several months. When I arrived and we started to rehearse, my confidence took a knock when I found that despite my months of preparation and my ability to play the two pieces fine on my own, as soon as I had to play it in front of others I could not get through it without making a lot of mistakes and getting terribly flustered. That teamed with several technical issues with the piano they made for the piece, there was a time in the rehearsal period where I thought I might have to apologise and admit defeat. But thanks to a hugely understanding and encouraging group of colleagues and production team, my confidence slowly returned, and I was able to get through it on opening night.

I’ll be sad when Wuthering Heights is over, though glad to get back to my babies at home, after so long away from them. But they very much enjoyed their trip to visit me here for the Easter holidays, with all the grandparents taking it in turns to nanny for us. It has been a real treat to share this job with so many parent singers. All the cast members with families have had their children here at some point over the past few weeks, and the kids have had great fun playing all together, enjoying Easter egg hunts and birthday parties, cooking together and visiting the monkeys and peacocks at the park. It is so therapeutic to be able to chat to other parents who know exactly what we are coping with in our crazy family/career juggle.


 SWAP’ra- Supporting Women and Parents in Opera

SWAP’ra Gala- OHP- 2018 (Photo by Robert Workman)

SWAP’ra Gala- OHP- 2018 (Photo by Robert Workman)

A small progress report on what SWAP’ra have been up to. Here is a little bit of info on what we have achieved in our first year of existence. For more info see our website, and do subscribe if you’d like to be kept up to date on everything SWAP’ra is doing.

The SWAP’ra gala 2018- Scene from L’incorronazione di Poppea- Pictured with Anna Devin. (Photo by Robert Workman)

The SWAP’ra gala 2018- Scene from L’incorronazione di Poppea- Pictured with Anna Devin. (Photo by Robert Workman)



SWAP’ra founders, Anna Patalong, Madeleine Pierard, Sophie Gilpin, Ella Marchment and Kitty Whately

Definitely time for an update!

Oh dear, I’ve let time slip by again without updating my website. It’s been a very busy 8 months since my last update:

Grange Festival- Albert Herring


We had a wonderful few weeks at the brand new Grange Festival with John Copley’s delightful production of Albert Herring. It’s was a huge hit with the critics, and a joy of a job, from start to finish, with such a great cast. It was the fourth time I have played Nancy. She’s such a fun character to play. Cheeky and flirtatious, but with touching empathy. All my favourite roles so far have been the Britten ones actually. I have played Kate in Owen Wingrave several times, and she’s a fantastic character; very different to Nancy. She’s hard and cold, and yet reveals a very tender side. Hermia too, is great fun to play with her fiery temper, and her emotional hand god and lows across the span of the opera, A Midsummer Night’s Dream. Lucretia is very high up on my list of dream roles. 


Three Choirs Festival Recital

After Grange Festival, it was on to the Three Choirs Festival in Worcester, for a recital with Simon Lepper. We presented a programme of songs, all by living composers, including the world premiere of a song cycle which was written especially for us by Sally Beamish. Sally had teamed up with the author of the No.1 Ladies Detective Agency, Alexander McCall Smith, to produce a delightful set of songs on the theme of birds, which was an honour to have written for us, and a joy to perform. 


The recital also feature two other song cycles which have been written especially for me: ‘Hold This City All Night’ by Tarik O’Regan, was commissioned for me to perform at the Ludlow Festival in 2017 to texts by Alice Goodman, and Nights Not Spent Alone by Jonathan Dove, which was commissioned by BBC Radio 3 for Simon and I to premiere at the Cheltenham festival in 2015. These are settings of Edna St Vincent Millay, and feature on our album of the same title, along with all of Jonathan Dove’s other fantastic songs for Mezzo Soprano. (Available to buy here)


Wigmore Hall Recital


That was a very busy weekend, as the very next day I had the great pleasure of performing at Wigmore Hall, with a huge group of some of the best UK singers of my generation, to celebrate the final song recital of the season. Conceived by Graham Johnson, we each performed solo lieder, but the highlight was to all sing together, Vaughan Williams’s heavenly Seranade To Music.


English Touring Opera- Giulio Cesare


After this I was straight into rehearsals with English Touring Opera, for their ambitious and spectacular production of Handel’s Giulio Cesare, performed in its entirety, without cuts! It had been several years since I had played a trouser role, but with great guidance from our director, James Conway, we found ways to make my character, Sesto, very three dimensional and sympathetic. I enjoyed it so much, and the production was a huge success with the critics; hailed as one of English Touring Opera’s best productions in years. A real thrill. We toured it from as far North as Keswick and Durham, right down to Exeter, and everywhere in between. 

English Touring Opera is a fantastic company to work for. It was my fourth tour with them, and I have learnt so much from each of those jobs. I started with them when I was still as student at the Royal College of Music, and learnt so much, gained so much experience and stagecraft that just cannot be taught at conservatoires. The chance to work with professionals in all departments, and repeat the role over and over again until you know it so well and it is so built into your body, having had the time and freedom to experiment with things, and make observations about what does and doesn’t work. It’s wonderful that ETO are so supportive of young singers. 


Concerts from Birmingham to Berlin


A busy few months of concerts followed, including Messiahs at Cadogan Hall and with City of Birmingham Symphony Orchestra. Then just before Christmas I made my Berlin Philharmonic debut, in a beautiful concert of Mendelssohn’s Midsummer Night’s Dream, under the baton of Ivor Fischer. It’s a favourite piece of mine, since I studied it for A-level, and to be sat amongst some of the best orchestral players int he world, hearing their almost deafening and glorious sound, was one of the absolute highlights of my career so far, even if mine was only a small role. Berlin is a fascinating city, and it was lovely to be there at Christmas time, and to enjoy the Christmas markets and Glühwein. 


Recitals in Hexham and Glasgow

Malcolm Martineau

Malcolm Martineau

In January I had the pleasure of performing with Malcolm Martineau, in a recital in Glasgow for BBC Radio 3, as part of Malcolm’s ‘My Life In Song’ series there at the Royal Scottish Academy of Music there; and then a lovely recital with Joseph Middleton, in Hexham, for an audience including many lovely supportive family members who live in Northumberland. This was very special for me. 


La Nuits d’Ete


I performed my first ‘La Nuits d’Ete’ by Berlioz, with the Bedford Sinfonia at the end of April. Bedfordshire is the county in which I grew up, and the orchestra included several teachers that I had been helped and encouraged by as a teenager. Bedfordshire has always been an outstanding county for music, but sadly these days the music service receives less and less funding, which is an absolute tragedy as far as I am concerned. Read more here

I am looking forward to returning to Bedford with Joseph Middleton in a few weeks, for a recital at St Andrews Church on March 10th, with a lovely programme of English and French songs, Lieder, and some favourite show songs. 


Royal Opera- Coraline


I’m now enjoying rehearsals for the world premiere of Coraline by Mark Anthony Turnage, which will be my Royal Opera debut. Its going to be a spectacular show, with some exciting special effects and fantastic jazzy score. It’s a favourite story of my eldest daughter, Ivy’s, so I really can’t wait for her to see it. I play Coraline’s mother, and also her ‘Other Mother’, who a pretty terrifying, witchy character, so I hope Ivy won’t be too spooked. Mark Anthony dropped in this week, which was a little nerve wracking, but it was great to meet him, and he seemed pleased with our work so far. 



My other great passion at the moment, is a project that I have been setting up with four colleagues; a charity in support of women and parents, working in the opera industry. Performing can be a solitary job sometimes, and I often feel it is a little selfish, not really helping anyone else. Read more here. I am so thrilled to be a part of something that I believe in so passionately, and which I really feel has the potential to make a big difference for people. Read more here:


Opera Holland Park- Cosi Fan Tutte

With Eleanor Dennis (Fiordiligi)

With Eleanor Dennis (Fiordiligi)

Later this year I look forward to returning to Opera Holland Park, for a new production of Cosi Fan Tutte there which I am really looking forward to. It will be the fourth time I’ve played Dorabella, and although she can be a bit of a silly character, it’s a great fun ensemble piece to be a part of. My husband and I fell in love playing Dorabella and Ferrando at RCM in 2011, so the music holds a special place in my heart. It was directed by the late Lee Blakely, who we tragically lost last year. It was an excellent production, and we learnt so much from Lee. He found great depth in the character of Dorabella, and had some great ideas to make her more than just a stupid girl. 


Candide- Twice!


I’m really looking forward to returning to The Grange Festival again in July for a concert performance of Bernstein’s fabulous Candide. I adore musical theatre, and so rarely get the chance to perform some of my absolute favourite repertoire. Candide is not one that I know well, but I’m so looking forward getting to know it, which I should do by the end of the year because I’ll be doing it again this Autumn. 

My husband, Anthony, and I are excited to get the chance to work together, which we haven’t done for about six years. We’re off to Bergen in Norway for another Candide. The whole family will be heading out there, as Anthony is playing the title role, I’m playing Paquette and my dad will be playing the Narrator, so it’s a real family affair. I spent a very happy 6 week’s in Bergen in 2015, doing Britten’s Midsummer Night’s Dream. It’s a beautiful place and a wonderful company to work for. I’m so looking forward to returning. 


Vaughan Williams CD


Shortly after that I will be recording some stunning songs by an absolute favourite composer of mine, Ralph Vaughan Williams. William Vann and I will be recording several stunning song cycles, some of which have never been recorded, as part of Albion Records’ Complete Works of Vaughan Williams anthology.

Album released!!!

Album released!!!

At long last, Simon Lepper and I are thrilled to release our album Nights Not Spent Alone- Complete songs for mezzo by Jonathan Dove.

We are so proud of it, and hope you'll love the songs as much as we do.

Please do take a look at this short film about the new album- click here to watch it


Long time no update!

Long time no update!

So, a mere 18 months after my last post on here, I am finally getting around to updating my website! What can I say, I am a terrible technophobe, and it has been a VERY busy 18 months. Particularly since the arrival of a certain tiny someone who joined our family in June 2016.

Lulu sharing Daddy's dressing room at Glyndebourne


Baby Eloise (Lulu) has slotted straight into our crazy life, and by the time she was four months old she had already been to Vienna and Beijing with me, and sat silently through her Daddy's dress rehearsals at Glyndebourne.

Just two weeks after Eloise was born, we all moved down to beautiful Lewes, where my husband, Anthony, was rehearsing at Glyndebourne for A Midsummer Night's Dream. A few weeks after that, off we went to Vienna, where I had a performance of Hadyn's opera La Canterina with Ian Page and Classical Opera Company. It was daunting, going straight back to work so soon, especially as I was still breast feeding. But Ian and the company couldn't have been more supportive, giving me plenty of feeding breaks, and scheduling as helpfully as possible. Anthony came with us and held Eloise in the wings at all times so that I could feed at every possible opportunity, and she seemed to love hearing us rehearsing with the orchestra.

Next stop was Beijing, where I was doing the Aix Festival (Robert Carsen) production of A Midsummer Night's Dream. I was dreading taking a 10 week old baby on the 11 hour flight, but luckily I had my brilliant 'manny' (aka Dad) with me. We had a fascinating time there. Beijing is unlike anywhere either of us had ever been before. The city itself was not particularly baby-friendly, with its horrendous smog and step subways everywhere. I don't know how Dad's back survived as he lugged the push chair up and down hundreds of flights of steps. He even hauled it up a small mountain where he was determined to see a temple built at the very top. But the people couldn't have been more baby-friendly. Everywhere we went people wanted to take photos of her and hold her. They found her hilarious. We got so mobbed in some of the tourist areas, it was a little disconcerting sometimes. Eloise got far more attention than dad, which was unusual and quite funny. Many people thought that Dad and I were a couple, and told him off for having such a young wife, which was hilarious. He had to try to explain, mainly through charades as they spoke no English and we spoke no Mandarin, that I was his baby, and Lulu was mine.  

The performances went really well and seemed to be positively received by an audience generally unfamiliar with Britten. It was a great and supportive cast, and though I was ready to get home to the rest of my family by the end, I was so glad that I did it, and grateful to my dad for coming, and my mum who stayed behind with Anthony, to look after my eldest daughter, Ivy. It was difficult trying to keep up the breast feeding with the busy rehearsal schedule, and trying to make my brain and body work on so little sleep. But I feel an enormous sense of achievement for having pushed myself to do it, and managing ok. And dad and I will never forget the experience.

Since then, life has calmed a little, in that we have all been in the UK at least. I have been entirely focussed on various concerts and recitals this year so far, including a lovely programme with Julius Drake at the Leicester International Music Festival, Vivaldi and Prokofiev at the Barbican Hall, and the Brahms Alto Rhapsody at the opening gala of the brand new Stoller Hall in Manchester. I also, both terrifyingly and thrillingly, stepped in at short notice, to a lunchtime recital at Wigmore Hall, which Sarah Connolly had had to pull out of. Luckily it was English Song that they wanted, and Joseph Middleton and I just so happened to be in the middle of resurrecting our beloved This Other Eden programme for a recital the following week at St George's Hall, Liverpool, so we didn't feel too underprepared. We really enjoyed ourselves once we settled down. It was so lovely to be performing that repertoire together again, and especially in such a special and magical venue as the Wigmore hall. I'm looking forward to working with Joe again on various projects next year.

Right now I am in rehearsals for a production of Albert Herring at the brand new Grange Festival, which is great fun. I've played Nancy a few times before, and it's such a lovely role. I always really enjoy doing Albert Herring. Our esteemed conductor, Steuart Bedford, who assisted Britten himself, said to us on day one, that it is always a very happy piece to be a part of, and that he's never had a bad experience with it. We're certainly having a lot of fun and lots of giggles with our fabulous cast, and legendary director John Copley, who we are trying to convince he should write a book of all his hilarious and outrageous anecdotes of the mega stars he has worked with over the years at all the world's major opera houses. We open in late June, and look forward to being a part of this very new festival, which I am sure will be a great success. I have never worked at Grange Park before, but I am told it is absolutely lovely, so I am looking forward to moving over there for our stage rehearsals in a few weeks time.

I shall write a separate post with upcoming performances and news, and promise to try to stay on top of my website from now on. xxx



Kitty performs world premiere of new Jonathan Dove song cycle

Jonathan Dove- Nights Not Spent Alone

July 2015

Jonathan Dove

Jonathan Dove

Earlier this year, I had the great honour of receiving three brand new songs, written especially for me, by one of my favourite composers, Jonathan Dove. When I first started on the BBC New Generation Artists scheme, I had written a fan letter to Jonathan, gushing about how much I adored his songs, and telling him that I hoped to record some of them during my time on the NGA scheme. He very kindly took the time to write back, and we struck up a friendship. So when the BBC offered to commission a new work for me, I jumped at the chance of working with Jonathan. I went to his house in East London, and we had a sing through of all sorts of repertoire so that he could get to know my voice and my range, and we discussed possible texts. Jonathan wanted to write me a cycle which would be useful tome for future recitals, so we talked about recital programmes which I had in the pipeline, including one which I have performed with my mother at the Oxford Lieder Festival- A Woman's Journey. This is a programme of songs which describe the life events of different women, from Schumann's Frau, Debussy's Bilitis, Wolf's Mignon, and many others, punctuated with complementing poetry written by women, read by my mother, the actress Madelaine Newton. I sent Jonathan the list of repertoire for this programme, and he was particularly taken by the idea of setting some of the poems of Edna St Vincent Millay, already a favourite poet of his.

And so Nights Not Spent Alone was born. Fantastic settings of Recuerdo, What Lips My Lips Have Kissed, and I Too Beneath Your Moon, full of smoky nostalgia, melancholic numbness, wit, anger and passion. I was thrilled.

Simon Lepper and I so enjoyed the premiere performance, which we gave at the Cheltenham Festival, in the beautiful Pittville Pump Room. We had some lovely feedback from the audience on the day, and the performance was later broadcast on BBC Radio 3, which you can listen to now.

2015 was a real Jonathan Dove year for me, as just a few weeks before the Nights Not Spent Alone premiere, I had had the huge pleasure of playing the Stewardess in Opera Holland Park's production of Jonathan's hugely successful and wonderful opera, Flight, which had been an unforgettable experience, and a great hit for Holland Park. I am thrilled to say that next year I have a very exciting project lined up with Jonathan, but I am not sure how much I am allowed to reveal at this stage, so I had better stay quiet for the time being...

     Kitty Whately- Stewardess, George Von Bergen, Steward

     Kitty Whately- Stewardess, George Von Bergen, Steward

Britten's 'A Midsummer Night's Dream'- Bergen National Opera, Norway

7th November 2015

Hermia (Kitty Whately) and Lysander (Ben Johnson)

Hermia (Kitty Whately) and Lysander (Ben Johnson)

I am currently enjoying a very energetic and fun time in Bergen, Norway, for the magical Robert Carsen production of Britten's sublime imagining of A Midsummer Night's Dream.

It is a superb production, which has been running (and jumping) for 24 years around the world, after it's first performance in the Aix en Provence Festival.  If you ever get the chance to see this producton, which I know will last forever, please grab it. It is a masterpiece. You can watch the whole thing here, filmed last year at the Aix en Provence festival, with a different cast. Read more about the production here, from the artistic director of Bergen National Opera, Mary Miller.

                Oberon- Tim Mead, Bottom- Gidon Saks, Tytania- Laura Claycomb, Helena- Hanna Husahr, Demetrius- Marcus Farnsworth, Hermia- Kitty Whately, Lysander- Ben Johnson   

                Oberon- Tim Mead, Bottom- Gidon Saks, Tytania- Laura Claycomb, Helena- Hanna Husahr, Demetrius- Marcus Farnsworth, Hermia- Kitty Whately, Lysander- Ben Johnson



We have superb cast, many of whom are British singers. It has been a great pleasure to work with old friends, including my old Chetham's School of Music buddy, Marcus Farnsworth, with whom I have performed in three Britten operas over the past few years.  My Lysander, Ben Johnson, is a fellow BBC New Generation Artist, and we have known each other for a long time, although we have not worked together very often. Our Helena, Swedish soprano Hanna Husahr, and I studied together at the Guildhall School of Music and Drama, so it has been lovely to catch up with her, and she and I have some fantastically fun scenes together, playing with Barbie dolls and pillow fighting.

                             Helena- Hanna Husahr, Demetrius- Marcus Farnsworth, Hermia- Kitty Whately, Lysander- Ben Johnson

                             Helena- Hanna Husahr, Demetrius- Marcus Farnsworth, Hermia- Kitty Whately, Lysander- Ben Johnson

We have just a few more performances left, before returning to the UK after five happy but long weeks away from our loved ones. It has been great fun, but I am ready for home now. One thing that has made my time away from home easier, was a lovely visit from my parents, who brought my daughter, Ivy (9) here to see me. We had a lovely time exploring the mountains and fjiords, and my family enjoyed watching some of the rehearsals and sneaking backstage to see some of the superb costumes.


                             Whately family, backstage at the Grieghallen, Bergen- Madelaine Newton, Kitty Whately, Ivy, and Kevin Whately

                             Whately family, backstage at the Grieghallen, Bergen- Madelaine Newton, Kitty Whately, Ivy, and Kevin Whately


There are talks of further revivals in 2016, so watch this space.




BBC Sondheim Chamber Prom - Hear some of Kitty's highlights

July 17th 2015

One of the highlights of my career so far, was the BBC Chamber Prom in honour of Stephen Sondheim's 85th birthday. Sondheim is my all time favourite composer, but I rarely get the chance to perform his songs publically, let alone the chance to sing all my favourites in one afternoon, with some of the best musical theatre artists in the business! I got to share a stage with the legendary actress, Sian Phillips, and to sing some of my absolute favourite duets, with the fantastic star of the West End stage, Jamie Parker. We were accompanied by our fabulous MC/MD, Richard Sisson, who arranged a great deal of the music, and by a hugely talented young saxophonist, Anthony Brown.

We played to a packed audience at the Cadogan Hall, as well as being broadcast live on BBC Radio 3, which is always terrifying. Despite some major technical issues with the microphones at the start, we had a ball. It was over all too quickly, and I desperately want to do it all again. But happily I have the recording to remember the day by.